Saturday, July 31, 2010

Gilmour Academy:  English 11

Storytelling and Moral Leadership

2009-2010

We read to know we are not alone.”  --C.S. Lewis

Course overview

We read to learn. Not just how to assemble a bookcase or write an analytic essay, but how to be a better person.  We learn connection. To other individuals, cultures, times and places.  Transformation occurs when we learn compassion.  In English 11 readings about class, race, media culture, and war help us to appreciate others, value diversity, understand compassion and compel us to lead moral lives?even to exercise moral leadership.   Emphases on storytelling, writing in various forms and genres (including and I-Search papers and digital storytelling), Socratic seminar and writing workshop help place independence, process, collaboration and an expanded worldview at the center of our curriculum

Major works for the year include short stories by Toni Cade Bambera, Flannery O’Connor, Sherman Alexie; novels include Song of Solomon,  March, and The Things They Carried.  We will read some in their entirety and examine excerpts from others.  Short stories, poems, essays and current nonfiction will be distributed in class.

Instructors’ goals & course outcomes

This junior English course and its stated objectives directly stem from the Gilmour Academy outcomes.  It is our hope that our graduates are effective communicators, collaborative learners, critical thinkers, problem solvers, lifelong learners and morally responsible women and men. 

                The objectives of this course are as follows.*  Students will be able to:

  • Understand and recognize the elements of literature in various genres including short stories, essays, novels, and poems
  • Read and critically respond to selections in American and world literature
  • Write in various genres and modes
  • Incorporate authentic and meaningful research in their writing with grace and sophistication
  • Use the elements of good writing to give and receive feedback on their own and other’s writing
  • Demonstrate a willingness to consider new perspectives
  • Assess their own growth as readers and writers
  • Demonstrate that their perspectives are evolving
  • Demonstrate independence and creativity as they take ownership of their learning processes

*Students are required to demonstrate these course outcomes through reflection and artifacts in an end-of-semester conference.

Grading/assessment

a. Daily preparation

Preparation and participation are crucial to success in this course.Daily reading and writing assignments, formal and informal, individual and collaborative, in-class and assigned, will be used to assesspreparation

andgrowthin critical reading and writing skills.  Socratic seminars and writing workshops will be regularly scheduled in order to support and promote fluency and sophistication in writing and in reading comprehension.

All students are expected to demonstrate that they have read and prepared for class.  Failure to do so will result in a zero for daily work and may also result in exclusion from full participation in class activities, particularly in Socratic seminars and writing workshops where full participation by all students is expected.  It is an expectation of the Gilmour English department that student work be made public. 

If you know that you are going to miss a class, see your teacher to get the assignment.  If you miss class due to illness or another unanticipated reason, e-mail your teacher.  It is YOUR responsibility, NOT your teacher’s, to inquire about making up any missed work.  Be vigilant.  We will adhere to the policy as stated in the Student Handbook: If you are absent (excused) on the day a paper is due, it is due upon your return to class.  You are expected to be fully prepared for class on the day you return.

Approximately fifty percent of the grade is based on preparation and participation, including class discussion, Socratic seminars, and in-class writings and writing workshop.  The other fifty percent is based on evaluation of exhibitions, including formal writing assignments.

b. Late/missing work

You must arrive at the classroom with assigned work printed and ready to submit.  COMPUTER MALFUNCTION WILL NOT BE ACCEPTED AS AN EXCUSE FOR LATE ASSIGNMENTS.  IF YOUR PRINTER FAILS, COME IN EARLY AND PRINT IT IN THE LIBRARY OR FIND AN ALTERNATIVE PRINTING SOURCE.

Work submitted late due to an excused absence will be accepted without penalty according to the guidelines set forth in the 2009-2010  Student-Parent Handbook.  It is due upon your return to class.  Late papers will lose 10 points per school day for every day after the due date up to a maximum of 50 points.  If a paper or assessment is not submitted within two weeks of the due date no credit will be given for that assignment.  All assignments are due immediately upon return to school following an absence.  If a student has missed part but not all of one school day, or if the absence is unexcused, assignments are due THAT DAY.

Juniors in English 11 are permitted to submit ONE paper late each semester, with a grace period of up to one week.  In order to use your extension, you must submit your request IN WRITING when the rest of the class submits the paper. If we don’t receive notification at that point, the paper will be classified as late, and the late policy (see first paragraph) will be in effect.  This only applies to major papers.  There are no extensions for homework and daily work.

If there are extenuating circumstances, discuss the situation with the teacher, and submit the late work within a reasonable amount of time, usually by the next class period.  Communication is the key when you find yourself in a tough spot.

c. Extra credit

                On the rare occasion that there are activities outside of the work of the course (a play, reading, or movie to attend, an extra book to read, etc.) that might enrich class discussion, the opportunity to engage in those activities for credit will be made available only to those students who have completed all assigned work to date.

Instructor availability:

                We are available each day (except Wednesday) after school until 4:15 p.m.  We check our Gilmour accounts on a regular basis.  It is an efficient and effective way to reach us. 

Plagiarism:

                "Plagiarism is the dishonest act of presenting the words or thoughts of another writer as if they were your own.  You commit plagiarism whenever you use a source in any way without indicating that you have used it." (Heffernan & Lincoln, Writing: A College Handbook, 1986).  Flagrant, unacknowledged use of another's material is a grave matter.  All acts of plagiarism will be referred directly to the Honor Council. 

Classroom discourse:

                Classroom behavior should, of course, be courteous and orderly.  We will not, under any circumstances, tolerate behavior that is hurtful toward other students.  Showing lack of respect toward another student is a direct violation of the Honor Code and will be directly referred to the Honor Council.

Tentative course schedule

“Work, Class, and Identity:” 

Are we living in a society/world where class defines us?  Are we able to transcend circumstance?

Aug 24-Sept 18: Elements of research: “Cleveland’s Industrial History”

essential questions:

  • What is research?
  • “class” survey
  • I-Search:  what is class? (research & discussion)

  important dates:        

  • Project topics due: Sep. 8-9
  • Field Trip: Sept. 9
  • I-Search draft due: Sept. 21-22
  • Final paper due: Sept. 25

topic suggestions (relevant to Cleveland’s industrial history)

  • Towpath bike ride/canalway towpath history/walking tour
  • WPA projects in Cleveland area
  • Ethnic/immigrant neighborhoods/churches
  • Youngstown working class museum
  • Flats/Cleveland steel mills/industry
  • Cleveland as shipping/port/lakefront
  • Textile industry
  • Rail/Transit system (subways, trolleys, etc.)
  • Hospitals and charitable organizations
  • Unions
  • Retail
  • Robber Barons/ Millionaire’s Row

Readings: 

  • Miller and Wheeler, Cleveland: A Concise History
  • Robert Coles, The Call of Stories
  • Flannery O’Connor, “Revelation”
  • Toni Cade Bambera, “The Lesson”
  • Gregory Mantsios, case studies, “Class in America: Myths and Realities” 
  • Sherman Alexie, “What you Pawn, I will Redeem”
  • Gioia and Olds poetry

Sept. 21-Oct 9  Mystory: Responding to Crawford’s “Shop Class as Soulcraft”

Readings:

  • Matthew Crawford, “Shop Class as Soulcraft”
  • Mike Rose, The Mind at Work
  • Barbara Ehrenreich, Nickel and Dimed
  • Studs Terkel, Working
  • Eric Schlosser, Fast Food Nation
  • Scott Russell Sanders “The Inheritance of Tools”

Mystory due: Oct. 8-9

Independent Reading/Media Project:  Oct. 13-Nov. 6


 


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